Seriously. It would be amazing if there were a way to look
at my brain memory the same way I can pull up the pie diagrams that display the
way my computer memory is allotted among various programs. I would love to know
how much of my grey matter contains song lyrics compared with, say, geometry. I
imagine the results would be sadly astounding.
We all have favorite songs that become part of our life
sound tracks. Songs that, regardless of how much time has passed or how much we
might grow and evolve, we will always love. Music, I believe, becomes ingrained
in our sensory memories – they become part of us and who we are. There are
pieces of music I love because of the lyrics and because of the instrumental
sounds. I love voices, especially those with that earthy, scratchy, gravely
kind of tone.
People who know me would tell you that I love Dave Matthews.
He would be an example of the many ways I love music. There is something about
the quality of his voice that resonates with me. Add to this the lyrics – the longing
of his love songs – the multitude of instruments like flute, saxophone, violin
(or fiddle?), guitar, drums … it is an amazing explosion of sounds and words
that “get” me.
Running through my mind the last couple of days has been
David Gray’s “This Year’s Love.” The first time I heard this song I was in
graduate school – snuggled into my bed watching Felicity. The scene for which this song was the back ground took
place in winter time New York. I recall a couple, who had struggled earlier in
the episode, embracing as this song echoed in the back ground.
As soon as I heard the song, I loved it.
I wish there were some way that I could write about it in a
way that would convey how it makes me feel, but I think I lack the tools and
capability to be able to do so.
The song is simple – piano and Gray’s voice. What makes it
so powerful is the timing – the pauses between words – the emotional ache in
his voice as he sings. When I hear it, I can feel exactly what he is describing. Does that make sense?
This year’s love had better last
Heaven knows it’s high time
I’ve been waiting
On my own
Too long
Then piano….
When you hold me
Like you doFeel so right
Ah now
Start to for-get
How my heart
gets
torn
when that hurt
gets thrown
feelin’
like you
can’t go on
Turning circles
when time againIt cuts like a knife
oh yeah
If you love me
got to know
for sure
Piano....
Cos it takes
something
more this timeThan sweet, sweet lies
ah now
Before I
open
up my
arms
and fall
Losing all
control
Every dream
inside
my soul
And when you kiss me
On that
MidnightOn that
street
Sweep me
off my feet
Singing
ain't this life
so sweet
So whose to worry
If our hearts get torn
When that hurt gets thrown
Don't you know this life goes on
And won't you kiss me
On that midnight street
Sweep me off my feet
Singing ain't this life so sweet
The way I’ve broken this up is the way it sounds in my mind – where the pauses are between words – the way the emphasis sounds. Again, there is something about the longing ache in Gray’s voice. It captures a feeling that I have felt before at times in my life. In various relationships.
I guess it is the longing that I love. The sense of urgency.
I have always wanted someone to feel that ache for me – the longing to be near –
to know that love is real and that it isn’t going anywhere.
It should also come as no surprise that, hopeless romantic
that I am, I am in love with the idea of being swept off my feet. I can imagine
literally being picked up, held and kissed in a way that makes me breathless –
shoots my heart rate through the roof such that, in any other context, I would
be terrified I was having a heart attack.
Really, I have not done this song justice. I know. I’m
certain there are technical terms, musical language, that would more accurately
convey what Gray does as a singer that causes listeners, like me, to have such
a visceral response to the music. If I were compiling a sound track for my
life, “This Year’s Love” would definitely be on the list.